Monthly Archives: October 2009

Not A Music Journalist Listens to Shibuya: City Lights, Vol. 2 by Nicolay

This
actually arrived on a day when I was not feeling well. Having been knocked out
by pain relievers the UPS delivered me from my near comatose state and
delivered Shibuya.  Here’s my track by
track opinion.

1)Lose Your
Way – The vocal is light and breezy, mixed with the instrumentation and I can’t
really tell what all was used, it makes for an overall breezy track.  Based on the lyrics and again the music you
feel like no matter what’s going on in the city, you still love losing your way
in it.

2)Shibuya
Station – this has a very metropolitan sound and puts me in the mind of Weather
Report brand fusion. The tune conveys a hustle and bustle, an energy that makes
you want to go do something.

3)Crossing –
Really a continuation of the previous tune. I didn’t pay attention to the track
listing so thought it was the same song that had changed up a bit. The
transition is flawless.

4)Rain in
the Ueno Park – The rain sound is a nice back drop. This isn’t a dreary rain
song, but more of a comforting kick back rain sound. Again I’m hearing fusion.

5)Satellite –
what hear on this one is fusion meets Jack Your Body era house.

6)Saturday
Night  – This is a party song. I love the
vocal, the house style beat and keys. You can see the party going on and it’s
the part of the party where everybody is feeling it, dancing and enjoying the
music.

7)A Ride
Under the Neon Moon  – this is the on the
way out the party transition.

8)Omotesando
– This is a perfect wind down song, it has a jazz flavor but not smooth jazz,
not fusion either.  This is the sit down
and kick your shoes off exhale song.

9)Meiji
Shrine – this sounds like a shift. There’s a sound in that sounds either like a
bell or breaking glass I’m not sure. There is a mystery to this cut and I want
to know what it is.

10)Shadow
Dancing – I don’t know anything about Asian musical tradition, but I feel like
some of it might be conveyed here.  This
also sounds theatrical when those string sounding keys come in.

11)The Inner
Garden – this conveys rejuvenation, like the sun is coming up and everything is
waking up to meet it.

12)Bullet
Train – on the first pass this sounded like a Monday morning time to go get it
as I listened a few more times it sounds more like it is about focus on any day
of the week.

13)Wake up
in another life – the vocals make sense on this and I like how they are layered
near the end.

14)Departure
– like the “horn” sounds.  The title
conveys, departure from the city as well as departure from this musical experience.

15)Shibuya Epilogue
– I will say that Nicolay is dead wrong for this one. Dead wrong because it’s a
teaser. I was feeling it, it was swinging, and the vocalist was swinging. This
should have been a full length track.

16-18)Are
instrumental versions of Lose Your Way, Saturday Night and Wake Up In Another
Life

 

I didn’t
read any press on this I knew it was coming out and the only expectation that I
had was if this was a Nicolay project that it would be good and it is.  What makes it good is that: 1)There are no
songs to skip through on this CD.  It’s
tightly produced, the songs are not opus length but are a length that is
enjoyable (with the exception of Shibuya Epilogue, which was too short), and
the number of tracks is right. 2)The CD tells a story.  For me it tells a story that is in a certain
locale but could be in any metropolitan area. The story is told in two parts
and the two parts work together to make a whole. 3)I believe that the sound is
cross cultural, cross genre and cross generational.  It could be listened to in the home, car or iPod
of anyone and finally 4)the vocalist Carlitta Durand. What I hear is that she is
comfortable singing in more than a few musical genres. We got a taste of what
she can do on Shibuya, let’s hope we get more.

 

If you have
any rotation right now, I recommend Shibuya: City Lights, Vol. 2 for heavy
rotation. 

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Not a Music Journalist Listens To Kamaal the Abstract by Q-Tip

 

I don’t know if there was journalistic hype about the
project, but I know I was hyped about the release of Kamaal The Abstract.  Q-Tip is a musician not just an MC, not just a
lyricist, not just a producer.  We all
get to hear his musicality on this set. 
Here’s my track by track opinion.

1)Feelin – this cut is heavy on the guitar and keys with
about a one minute rap vocal. The remaining vocals are all sung by Q-Tip and
female background vocalists with a solid musical arrangement.  The sound is hip-hop in the beginning but
becomes more groove as it goes on.

2)Do You Dig You – all vocals on this cut are sung and at
about three minutes in the song becomes all about the music particularly the
flute by Gary Thomas. Upbeat with the synth bass making the cut hip-hop in
sound but the remaining instrumentation has more of a fusion sound.

3)A Million Times – all vocals are sung and there are only
two phrases “We’re gonna do it again and again.” “I thought I told you a
million times.” The song is really about the guitar, the keyboards, the groove.

4)Blue Girl – all vocals are sung, with a brief verse and
repeats of the chorus. The feature on this cut is the piano.

5)Barely in Love – Q-Tip and the female vocalist singing
about a girl and being barely in love. The cut has more of a rock vibe. This
one is made for live performance.  (Did
see the Jimmy Fallon performance but unable to pull it)

6)Heels – this song immediately put me in mind of early 90’s
Red Hot Chili Peppers. Q-Tip performs a rap vocal about high heels and the
sexiness of said heels on a girl in different settings. The refrain, “put your
heels on girl, put them heels on lady.” Love the energy of this one.

7)Abstractionisms – Q-tip delivers “abstractionisms” on a
brief rap vocal but the cut is really all about THE alto saxophonist Kenny
Garrett.

8)Caring – a sweet short song that features more of the
female vocalists than Tip.

9)Even If It Is So – My favorite track on the CD is about a
girl doing what she has to do to get educated and make things better for
herself and her daughter. Really nice groove on this one.

10)Make it Work – This is the only cut in which Q-Tip
delivers a full-on rap vocal that is longer than a minute or two.  This is most hip-hop of all the cuts on the
CD and could have easily fit on the last ATCQ CD.

My first spin through Kamaal the Abstract was cool. I wasn’t
hot, hot for it I believe because I’ve spent the last year listening to The
Renaissance which had a much bigger sound. 
 Kamaal the Abstract for lack of a
better term is “tighter”. The tracks are more intimate, more out of a jazz
tradition and more about Q-Tips  musicianship and the musicianship of the
artists featured on this project.   If the
listener is looking for a hip-hop record I would say, it is hip-hop but not
like anything we hear right now.  He’s
not Jeezy, Weezy, Ye nor Hov and this CD is void of all things autotune,
thankfully. The shelving of the project was mind boggling to me but in the end the
timing turned out to be fortuitous. There is a major vacuum in hip-hop. Outside
of the hot boys mentioned above (of which Jay is the only one I listen to)
there is a dire lack of creativity, artistry and musicianship. As such hip-hop
fans of “a certain age” like me and fans who just don’t like all that’s being
played on traditional radio right now are left wanting.  That said, Kamaal the Abstract is welcome
relief, one that will stay in the rotation. 
Good music is good music, that’s what Q-tip is delivering on this one.

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