A SLOW BURN
I purchased tickets January 2020, then the pandemic hit and shut down the world. Atlanta for the most part was not shut down, however live performances were cancelled or postponed, this show fell within the latter. Originally scheduled for March 2020, the performance was postponed twice when finally on September 2, 2021, I was able to use those tickets, along with proof of vaccination (or negative covid test) and with mask in place, I was able to experience in person, Meshell Ndegeocello.
Though described as a rapper and bassist which are at best limiting descriptors, I entered the show knowing I would experience much more than that given the magnitude of her talent. I did, but not in the way I expected. Her performance was subdued, with her band providing the instrumentation on drums, bass, guitar and keyboards. Her guitarist in particular was outstanding. Ndegeoceollo picked up the bass, twice, played keyboards a bit, but mostly gave the audience a slow burn of songs through the rhythm and tone of her voice whether it was singing or speaking.
She performed several songs from “Ventriloquism”, a release of covers performed in only the way that she could. She performed Night and Day (Al B Sure!), Waterfalls (TLC), Tender Love (Force MDs), and the standout of the songs performed from the album, I Wonder if I Take You Home (Lisa Lisa and Cult Jam), which was in short a groove. Her rendition of Please Don’t Let Me Be Misunderstood (Nina Simone, The Animals) was also outstanding. But the *close your eyes and feel it* song of the night was Outside Your Door from her first album “Plantation Lullabies”. Her vocals, the band, the musicianship was faint-worthy and there were plenty of Woos! from the audience to affirm the sentiment.
When leaving the performance I felt disappointed that I did not get to experience her virtuosity on bass, but checked myself for a few reasons. First, we are in a pandemic still, regardless of what is displayed in the media, things are not “back to normal”. I should and will expect live musical performances to feel different as I believe we are all in a different space now. Secondly, Ndegeocello celebrated her 53rd birthday on August 29th, for which she displayed gratitude and lastly, and perhaps most importantly, she announced the recent transition of her mother. All of these factors I believe had an impact on this performance, which nevertheless was still exceptional.
Overall I loved the performance. The understated nature of it was much appreciated during this time of high emotion and divisiveness. Atlanta was just her third stop on this tour and as the tour continues, her performances may be completely different from what we experienced here. Whether subdued or in full out rock, jazz, funk and all the genres she’s fluent in mode, Meshell Ndegeocello in any form is highly recommended.
One more thing on the description of Ndegeocello as bassist and rapper. She is an artist, a complete musician who sings, speaks, exhorts, announces, whispers and demands but rap, she does not.
Thanks SS for joining me.
Fuzzy photos: MsThorns